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Voz de Mano
Almost everyone is sure that the oldest Latin alternative
band in existence is Voz de Mano. In Los Angeles, the
Latin Rock capital of the United States, these guys of Mexican
origin began playing around 1990. Voz de Mano began
playing covers but as time passed they became a band that
starting making their own music and until now have two albums
under their belt. Voz de Mano is made up of singer
Tony Estrada who is from Nayarit, Mexico, Luis Barbosa
from L.A. of Mexican descent, Javier Ceja who is from
Colima, Mexico and the Ortiz brothers (Mario
from Zacatecas and Jorge who was born in Los Angeles).
When the scene
started to begin and emerge, Voz de Mano played wherever
and participated in all events. This helped them consolidate
themselves as one of the most important bands in L.A. next
to others like Pastilla. Their first album, Voz
d'Mano, was released independently in 1996 and it
was an example of how the band had changed. This record had
a lot of new songs and the style was different to what people
were used to hearing from them. In 1998, Voz de Mano
released their critically acclaimed second album, Ruta
Satélite (The Satellite Path). This album was a total
surprise for everyone involved in the scene. It was totally
different to any album ever put out by a Latin Rock band in
the United States and it definitely was different from their
first record.
Their sound had
matured and changed noticeably like few bands can ever do.
Their music was something refreshing that went from rock to
electronica but always with a Latin flavor that was not common.
That fact they would use computer technology with a simple
instrument like the conga drums impressed many. Along with
this, their rock had a pure and definite influence from American
rock. This had to come through since like many Latin kids,
they were raised listening to American bands. Ruta Satélite
(The Satellite Path) is one of those albums that really hooks
you and won't let go.
For Voz de Mano,
this album was a success. The record had an excellent quality
in all aspects and proved that a Latin rock band could make
an indie album that could even be better in quality and presentation
than even those on bands on major labels. It was acclaimed
and rewarded by the specialized press. For example, La
Banda Elasitca and the now defunct magazine, Retila,
gave them awards for best indie album for 1998. Pulse Latino
(Tower Records) named it one of the most important
albums in all of Latin Rock. ¡Boom! Magazine gave it
5 bombs out of a possible 5 in its review section. This allowed
people to finally realize and/or discover this band's true
worth and talent. Switch Magazine, maybe the most important
music magazine in all of Mexico, named them one of the bands
for the new millennium, which basically recognizes the work
that they have done.
Voz de Mano
is just as impressive live as on the album. Their shows
are full of a contagious energy. They have performed for thousands
of fans, sharing the stage with groups like Cafe Tacuba
and Jaguares in many festivals. They have even played
on national TV on shows such as A Oscuras Pero Encendidas
(Dark But Hot) and María Conchita Alonso talk show.
They have also been part of contests and the following rock
festivals: Revolución 95, Wateke 96 and SXSW
2000. They definitely are one of the Latin Rock bands
with the most amount of fans in California.
Voz de Mano
is one of the few U.S. bands in the Latin Rock movement that
have the potential to cross borders like another band, Orixa.
Their music is accessible due to their style and for English-speaking
people because of the influence. Voz de Mano keeps
working hard in order to better their sound which is already
very good. One can basically expect anything from them because
they have shown that change can happen and that developing
a style and sound is important. This they learned from their
idols, Café Tacuba.
CD Currently
Being Promoted
"Ruta Satélite (The Satellite Path)"
| 1.
Niño Atómico (Atomic Child) |
7.
Nuevo Místico (New Mystic) |
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2. Cenizas (Ashes) |
8.
Animal |
| 3.
Ruta Satélite (The Satellite Path) |
9.
Marciano (Martian) |
| 4.
Los Guardianes (The Guardians) |
10.
Por el Bulevar (Along the Boulevard) |
| 5.
Digital ala Natural |
11.
¡Salte! (Get Out!) |
| 6.
Voz de Mano |
12.
El Fin (The End) |
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