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Monterrey - Part One
by Xavier Campos


The trip to Monterrey began as a favor for Austin Chronicle journalist, Melissa Sattley who wanted to do a special report on the rock scene in Monterrey. I was contacted through my colleague and friend Gilbert Guerrero of Spanish Rock Radio. I, like a good supporter of the movement, immediately accepted to help her out with this trip. We left April 27, 2000 to Monterrey, which is located some 5 hours southwest of San Antonio, where I was living at the time. Here I will start to comment on the occurrences and about the music.

MONTERREY - EL REGIO POWER IS HERE!

Latin rock for a long time has been made up of some incredible bands that have come from the American and European continent. These bands have come particularly from 3 or 4 major cities which are Buenos Aires, Madrid, Mexico D.F., and now maybe Los Angeles. These groups have grown in these industrial cities of smog and iron and maybe among some unfavorable conditions. Between all of this there has emerged a strong and talented movement in the beautiful city of Monterrey, Nuevo León. This city is better known for its regional-Mexican music or for its special dish, cabrito (billy goat).

Despite this, Monterrey has produced some of the most interesting and cutting edge bands to the Latin Alternative scene. Control Machete, El Gran Silencio, and Plastilina Mosh are among those that have made a name for themselves internationally, but they aren't the end all be all of bands that are born here. Talent, styles, rhythms, and attitudes vary widely here. Monterrey maybe the music world's best kept secret. This is a city that offers a lot, especially to the rock movement. As a representative of
RE-USA.COM
, I had the opportunity of being able to see first hand this movement and I can go as far as to say that Monterrey possesses one of the best music scenes on the planet. Ska, punk, reggae, hip-hop, power pop, metal, etc. are among the great number of genres that can be found here. People enjoy and live this music here despite the heavy presence of prefabricated pop that runs rampant in the Aztec nation.

Kinky

It's impressive to se a band like Kinky whose electronic and rhythmic sounds fill up a club as if they were a group that belonged in London, Amsterdam, or Paris. Kinky, for example, is one of those underground bands that only has a demo but their stage presence shows one that this band is ready to explode onto the scene. I witnessed them at a club in the famous Barrio Antiguo (old neighborhood), which is known for its nightlife.

Kinky  

People were really into the sound that this band created. People had open minds to listen to different music. Kinky is just one of the more than 100+ bands that exist. What I can say is that there is a small group of bands that are above others not necessarily because of talent, but because of the amount of time that they have existed.

Something has to be stated: IN MONTERREY, EVERYONE KNOWS EACH OTHER AND THE MAJORITY OF BANDS ARE FRIENDS AND ARE CONSTANTLY WORKING WITH EACH OTHER. This is something that is not common in other musical hotbeds. Why is this? Maybe a reason can be that Monterrey has a population of about 4 million compared to other urban areas in Latin America and Europe. This has allowed for some bands that are still in existence to come from bands that once existed. There are bands that existed, that never got anywhere but have been a huge influence on their local scene. I can name bands like La Ultima de Lucas, Acarnienses, and Pasto. There are also groups that are still in existence basically unchanged like El Gran Silencio, Cabrito Vudú (Billy Goat Voodoo), Zurdok, and Jumbo. Now there are some good groups that are emerging onto the scene that have a future if they want to like: La Verbena Popular (The Street Party), Los Bastardozz (The Bastardzz), Juana Gallo, Pulsión (Pulsion), and Genitallica. This last band will be the new big band now that they are about to release their first album for Sony being produced by Barrett Jones (Foo Fighters, Dover, 311) and Ricardo Haas (Resorte, Zurdok, Control Machete).

 
Gallo - Genitallica  
 
Genitallica
 

The amount of bands is big and impressive. In this city there is a specific place where a lot of this talent is cultivated or where it keeps turning out hits. This place is the Cuarto de Control (Control Room). In the Cuarto de Control one creates, one lives, one smokes, one drinks, one eats, and so on. This headquarters for where the brains operate. Everyone here is important from producer Ricardo Haas, to Carlitos Arredondo, and Marcelo Tijerina who make this place magical. New projects are always being put together and I'll tell you a little more about these.

4/27/00
We arrived in Monterrey where we were received by two of the big players in the Monterrey alternative scene, Juan Antonio Campos and Milo Escalante. Immediately we were shown around and were taken to the club OM in the Barrio Antiguo to see a show being put on by the band Kinky. From the time we arrived the club was jumping. There was some of the best house, trance, and techno music that I had ever heard. It was being spun by Toy Hernández of hip-hop group Control Machete! That was a total surprise for us! I can say that he is an excellent house DJ too. The vibe kept getting better and Kinky finally came out and played and showed why they are one of the favorite bands among people in Monterrey.

4/28/00
In the Cuarto de Control like always, various bands hang out and some members even work there. This day we were able to spend some time with the new sensation, Genitallica, who you will be hearing from soon enough. They already have several popular songs especially one called "Paz (Medicamento) - Pill (Medicine)." Later at night we met up with Jumbo who had just done a special performance at a popular radio station. Their album Restaurant has been a big hit!

4/29/00
It's already Saturday and today will be a good day to interview and share time with some bands. I will be doing this like a journalist and not a friend, I suppose. The meeting would take place like always at the studio where several bands will arrive to talk about themselves, their music, and whatever else is on their mind. Among them arrived a group called Fábrica de Quimeras (Chimera Factory), which is a dark/gothic electronica group that has developed a good sound and are working on their first album. There at the studios I would also be able to meet other important people especially a group of artists that will talk to me about a new, ambitious project that is the brainchild of Antonio Hernández of Control Machete.

SUPER PROJECT - ARTILLERÍA PESADA (Heavy Artillery),
SONES DEL MEXSIDE (Sounds from the Mexside), and MORE!

In the recording studio I got together with several members of a new group called La Artillería Pesada (The Heavy Artillery). At this gathering the following were present:

Antonio "Toy" Hernandez - Control Machete, Sones del Mexside
Maigaz - La Flor del Lingo (Lingo Flower)
Piochaz - La Flor del Lingo (Lingo Flower)
Javu - Los Bastardozz (The Bastardzz)
Waldo - Los Bastardozz (The Bastardzz)
Milo Escalante - Sones del Mexside


We got together to talk about things we liked especially hip-hop. We talked about the making of a new hip-hop record. This would be done independently under the Sones del Mexside label. They also commented on how they see music and its exponents in Monterrey.

Xavier: What is Artillería Pesada? What do you exactly do?
Piochaz: It's a crew of MC's that does hip-hop.
X: Will this project include some rock?
Piochaz: No, it's pure hip-hop. The thing is that we can do both. Sometimes we like to do hip-hop and other times we just like to do some hard-core rock. We want to show what we have learned from the hip-hop culture. We listen to it, we live the culture, we saw when they killed 2Pac and Biggie, etc. For example, [Maigaz] cried when that happened. (Everyone laughs/)
X: Is Fermín (Control Machete) involved in this project?
Piochaz: For now he is not involved because he's working on other things. Right now we are totally concentrated on this and also on free styling.
X: Is this project pure free styling?
Todos: Yes!
Javu: I'm an MC; I will record and then sell my music. We already have the capability of doing this. We are definitely concentrated on this.
Piochaz: We want to break the stereotype that all Mexicans dress like gangsters, that they like Kid Frost, etc. We grew up listening to hip-hop but it also happened during an era when you would hear stuff like Vanilla Ice, MC Hammer, etc. So people didn't know much about true hip-hop. Control Machete came along in '97 and a lot of people would laugh. In '92 or '93, "rap has died," was a common phrase among people.
Javu: Yeah it was around '92 or '93.
Piochaz: Yeah, I remember! It was January 25 of '92 when Adrian Peña said that rap had died. This dude says that New Kids on the Block had died referring to them as a hip-hop group along with Vanilla Ice.
X: Maigaz, how do you feel when reporters/journalists say that Molotov, Plastilina Mosh, etc. is hip-hop, is everything hip-hop?
Maigaz: That's a really stupid thing to say. I don't know who the dumbass was who started that notion but he's an idiot!
Piochaz: Those bands aren't hip-hop. They incorporate hip-hop in their music and we like that, but they are not hip-hop.
X: Besides Mexico and the United States, have you heard other hip-hop groups?

Piochaz+Maigaz: Yeah, from Spain! Solo Los Solo, CPV, Ari, 7 Notas 7 Colores
Piochaz: When 7n7c came we wanted to challenge them to a freestyle battle. We wanted to freestyle with someone who wasn't from these parts but they didn't want to. I think they chickened out on us. (Everyone laughs.)

X: And how about Geronación?
Piochaz: Yeah, a lot of stuff from Spain because Fermín brought back a lot of records. From Chile we've heard groups like Tiro de Gracia, Tapia Rabia Jackson, Panteras Negras (Black Panthers), La Pozze Latina. We have also heard Sindicato del Hip-Hop de Argentina. We try to learn from everyone. We all try to develop and we don't dis anyone. Because whether something is bad or good, you can learn from it. This helps you when you're creating music. We try to be current and are always looking for new stuff.

Piochaz

 
Maigaz

X: The Artillería Pesada project is only a crew from Monterrey or are you going to invite other groups to participate like Tiro de Gracia from Chile?
Piochaz+Maigaz: Well, actually, we want to do something with Alex Lora from El Tri, you know it has nothing to do with what we are doing, but we need to also end the taboo that you can't have rockers and rappers on the same stage here in Mexico. Actually we would like to do a hip-hop remake of their song "Triste Canción (Sad Song)."
Javu: Chela Lora, his wife and manager, said that there wouldn't be a problem.
X: You wouldn't invite American groups that don't speak Spanish to participate?
Piochaz: Well CPV is in Brooklyn and has made a song where there are appearances by Mos Def, Jeru the Damaja, Guru, and more. That's cool because that's a sign that we can do it too.
X: And how about doing an English/Spanish song, let's say that they would come to Monterrey to do something?
Piochaz: Well for this project we already have Ralph M of Funkdoobiest coming down to learn more about this.
X: You guys know him?
Piochaz: No we don't know him or the group but for example there is contacts through Toño and Fermín. Hip-hop is a worldwide phenomenon and that's cool. It's a whole culture.
Maigaz: Just like rock, house, etc. Hip-hop is universal.
X: Will this be the first album released under Sones del Mexside?
Maigaz: Yes. After that will follow the albums by Los Bastardozz (The Bastardzz), Lingo Squad, etc.
X: What's Lingo Squad?
Maigaz: Piochaz and me.
Piochaz: Maigaz began to play with La Flor del Lingo (Lingo Flower) and well he started as a rapper. I came into the band later and also learned a lot from him. I didn't know anything then, now I know a lot more. I learned to create beats for example. In Cuba, there are also some hip-hop projects taking off. I didn't know that the island had hip-hop. But there is everything because musically they are rich. We are going to work with some Cuban MC's and there's a strong possibility that Sen Dog of Cypress Hill will participate. There will be a chance to flow.
X: What do you think of the mix of hip-hop and money? You know that thing of being a player, pimp, etc
Piochaz
: : I think that style is kind of sad. I think it will return to its original roots, don't you?
X: : You guys wouldn't make a video like that? You know with some girls riding around in your Mercedes-Benz?
Maigaz: Ha, ha, ha…stop eating shit!
Piochaz: No, you're talking about showing and throwing around dollar bills in Mexico, ha, ha, ha…
Maigaz: Well having chicks yeah, but no dollar bill throwing…
Piochaz: We are different. El Maigaz likes chicks, Javu other things, Waldo other things. That's how we are.
X: In Monterrey, are there a lot of hip-hop groups?
Piochaz: Yeah, but they don't care about making decent hip-hop just bad mouthing Control Machete.
X: There aren't any Freestyle Wars?
Piochaz: I'm not an asshole, but many groups here can't hang. They don't know how to freestyle. They arrive to battle but with written lyrics. They rather badmouth people who work hard. I have no money but I work my ass off. We want unity.
X: So the album will talk about this aspect?
Toy: There has to be unity, that's why Sones del Mexside exists. It's to unify and develop. That's its purpose. Yes, so the album will have those themes.
X: Well how about you guys do a little freestyle battle?
Todos: ¡Órale!

Maigaz Durante el "Freestyle"
Piochas


When Toy arrived it was like the guys turned their attitude up another notch. He put on some beats that him and Piochaz had been working on. They were some fantastic rhythms with a sound that reflected a heavy East Coast sound. What happened next was one of those things that happens once and doesn't happen again. I can say that I was able to enjoy something special. For more than 20 minutes Maigaz, Piochaz, and Javu battled with their mouth. Displaying their freestyle skills, they let me know why maybe no one wants to challenge them. It was a fierce battle that had some phrases that only an MC could come up with. It was spectacular to witness! The feeling and the vibe in the studio contributed to this moment. The lights were dim, the beats were strong, and of course these MC's knew what they were doing.

X: After witnessing that battle, I can only say is that you guys are dope! Wow, incredible! Toy is this what Sones del Mexside is and will be?
Toy: Yes, what you just witnessed is exactly what it is. We will build on this and of course I have Milo's help.
X: So Sones del Mexside will be pure hip-hop?
Toy: That is something ambiguous. It can be something for all types of music. We like to do all types of music. We want to do everything! There is a signature sound however. The idea is maybe to have 4 distinct sub-labels. You know work everything independently. Artillería Pesada for example, can be the hip-hop sub label of Sones del Mexside. As long as everything is tight and unified. Music is that is well made can be mixed and played together. The genre doesn't matter. It's having the vision to work with someone for example, like Roco (La Maldita Vecindad), with someone…it's being able to have a certain work mentality and being able to develop artists like the stuff that Andrés Cantisani (singer/songwriter from Monterrey). I like to work and learn. Andrés' project I do it without any financial gain but to learn. And he isn't hip-hop. You know doing black music…
X: Your (CONTROL MACHETE) song "Danzón" was inspired from Afro-Cuban music, right?
Toy: I think that was a special and specific moment. The music video captured that. It was the exact moment when we were inspired.

X: There isn't a possibility of playing live with the Buena Vista Social Club?
Toy: We still haven't had the opportunity of doing that. They are people that are down to create music. They enjoy it.
X: With all your experiences, you have matured…is that a reason for the creation of Sones del Mexside?
Toy: We have all grown. We have all worked and matured. It's a normal cycle. We had the opportunity of opening doors for everyone because of Control Machete. People now know us. Piochaz now can create some phat beats but that a few years ago he wouldn't have been able to. Carlitos (Arredondo) is now a recording engineer and he learned that.

Milo / Toy
Milo / Toy

Now we are also working on a project on having a concert venue. For example, Juan Antonio Campos (of Cuarto de Control) has traveled with us and he learned a lot during '99. So we can say that there are dudes that run clubs, bars, are in bands, etc. There is a general development and growth going on. It's a process that we all go through in our lives. Control Machete was only a part of this. Others already existed or once did. El Gran Silencio, Plastilina Mosh, us…we all did something for the scene here in Monterrey. There are people that open up and share. Of course, there are others that don't. We opened up our point of view.

X: Is 2000 different for you guys?
Toy: It's really cool!
Milo: We came across a decisive moment. This is the year where we will work our asses off. We will begin to develop the entire infrastructure that we attained during the last decade. You know knowledge learned on trips, in concerts, etc. Everything that was learned will be put to use so everyone can get totally involved.
X: In order to invest?
Toy: Not only money, but heart and will.
X: Well I've been told that Carlitos is living here in the studio?
Toy+Milo: Ha, Ha, Ha…yes, that's the truth. He has a little bedroom here in the office. He doesn't live here because we forced him to but because he wanted to work here all the time.
X: So you guys are in the right age to be doing this?
Milo: Yes, we all still have energy left. We all vary in age however. There can be a difference of up to 10 to 15 years but everyone is on the level.
Toy: Exactly!
Milo: There is experience combined with youth. For example, we (Toy and Milo) are in the middle.
X: Do you search for new talent?
Toy: Of course! Not to develop superstars necessarily, but to find people who will be of use in all aspects. One who can design, one who is good at promoting, one who is a good DJ, etc. We like to give references. If someone needs help and we know someone who could fill the role we don't hesitate to refer him or her. We adopt and live in a culture, but we don't stay in it. I love to do all types of things. For example, things aren't the same here like they are in New York. Maybe you have a certain style of rapping, being a DJ, etc.
X: So your dreams and hopes are more alive than ever?
Toy: Yeah and to attain those goals one has to work hard.
X: How about development in the United States?
Milo: I think it will breakthrough by itself. There are so many connections and people are always looking for new ideas. It will enter by itself.

Toy Hernandez - Control Machete

Toy: There will be some penetration. For example, I had the opportunity of remixing a track by Eminem and it was played on the Wake-Up Show, wow! Stuff like that, I guess, that's what it's about. But there is a lot to be done here still. My maximum desire is not to be a big hit in the United States yet like others want to. I still have to develop things here. There are a lot of people here with whom to work with. It will happen by itself over there. It's like when you got Control Machete for the first time and now you've hung out with us several times. You see it can reach people through a cousin, a relative, friend and it happens. I talk to a lot of people in Colombia and Argentina among other places. I talk to the people from Rap2000 in Argentina and the people in Chile who do La Saga Hip-Hop. Now we can hook up and even make a hip-hop show for Latin America.

"Toy" Hernandez - Control Machete  
X: So the vibe and feeling is already present to do hip-hop and other things?
Toy
: Yes, you can clearly see it. You see how Kinky or Zurdok or Cabrito Vudú come here in hang. You know who we are and how we hang. Now I want people to know what you know as well.
X: Guys well thank you a lot for giving me this opportunity of sharing these thoughts and this time with you.
Todos: No. Thank you …
Toy: Well get your butt moving and go hook up with Zurdok!

To Be Continued...

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