The trip to Monterrey began as a favor for Austin Chronicle
journalist, Melissa Sattley who wanted to do a
special report on the rock scene in Monterrey. I was contacted
through my colleague and friend Gilbert Guerrero
of Spanish Rock Radio. I, like a good supporter
of the movement, immediately accepted to help her out
with this trip. We left April 27, 2000 to Monterrey, which
is located some 5 hours southwest of San Antonio, where
I was living at the time. Here I will start to comment
on the occurrences and about the music.
MONTERREY
- EL REGIO POWER IS HERE!
Latin
rock for a long time has been made up of some incredible
bands that have come from the American and European continent.
These bands have come particularly from 3 or 4 major cities
which are Buenos Aires, Madrid, Mexico D.F., and now maybe
Los Angeles. These groups have grown in these industrial
cities of smog and iron and maybe among some unfavorable
conditions. Between all of this there has emerged a strong
and talented movement in the beautiful city of Monterrey,
Nuevo León. This city is better known for its regional-Mexican
music or for its special dish, cabrito (billy goat).
Despite this, Monterrey has produced some of the most
interesting and cutting edge bands to the Latin Alternative
scene. Control Machete, El Gran Silencio,
and Plastilina Mosh are among those that have made
a name for themselves internationally, but they aren't
the end all be all of bands that are born here. Talent,
styles, rhythms, and attitudes vary widely here. Monterrey
maybe the music world's best kept secret. This is a city
that offers a lot, especially to the rock movement. As
a representative of
RE-USA.COM, I had the opportunity of being able to
see first hand this movement and I can go as far as to
say that Monterrey possesses one of the best music scenes
on the planet. Ska, punk, reggae, hip-hop, power pop,
metal, etc. are among the great number of genres that
can be found here. People enjoy and live this music here
despite the heavy presence of prefabricated pop that runs
rampant in the Aztec nation.
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It's
impressive to se a band like Kinky whose
electronic and rhythmic sounds fill up a club as
if they were a group that belonged in London, Amsterdam,
or Paris. Kinky, for example, is one of those
underground bands that only has a demo but their
stage presence shows one that this band is ready
to explode onto the scene. I witnessed them at a
club in the famous Barrio Antiguo (old neighborhood),
which is known for its nightlife.
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| Kinky |
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People were really into the sound that this band created.
People had open minds to listen to different music. Kinky
is just one of the more than 100+ bands that exist. What
I can say is that there is a small group of bands that
are above others not necessarily because of talent, but
because of the amount of time that they have existed.
Something
has to be stated: IN MONTERREY, EVERYONE KNOWS EACH OTHER
AND THE MAJORITY OF BANDS ARE FRIENDS AND ARE CONSTANTLY
WORKING WITH EACH OTHER. This is something that is not
common in other musical hotbeds. Why is this? Maybe a
reason can be that Monterrey has a population of about
4 million compared to other urban areas in Latin America
and Europe. This has allowed for some bands that are still
in existence to come from bands that once existed. There
are bands that existed, that never got anywhere but have
been a huge influence on their local scene. I can name
bands like La Ultima de Lucas, Acarnienses,
and Pasto. There are also groups that are still
in existence basically unchanged like El Gran Silencio,
Cabrito Vudú (Billy Goat Voodoo), Zurdok,
and Jumbo. Now there are some good groups that
are emerging onto the scene that have a future if they
want to like: La Verbena Popular (The Street Party),
Los Bastardozz (The Bastardzz), Juana Gallo,
Pulsión (Pulsion), and Genitallica. This last
band will be the new big band now that they are about
to release their first album for Sony being produced by
Barrett Jones (Foo Fighters, Dover,
311) and Ricardo Haas (Resorte, Zurdok,
Control Machete).
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Genitallica
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The
amount of bands is big and impressive. In this city there
is a specific place where a lot of this talent is cultivated
or where it keeps turning out hits. This place is the
Cuarto de Control (Control Room). In the Cuarto
de Control one creates, one lives, one smokes, one
drinks, one eats, and so on. This headquarters for where
the brains operate. Everyone here is important from producer
Ricardo Haas, to Carlitos Arredondo, and
Marcelo Tijerina who make this place magical. New
projects are always being put together and I'll tell you
a little more about these.
4/27/00
We arrived in Monterrey where we were received by two
of the big players in the Monterrey alternative scene,
Juan Antonio Campos and Milo Escalante.
Immediately we were shown around and were taken to the
club OM in the Barrio Antiguo to see a show
being put on by the band Kinky. From the time we
arrived the club was jumping. There was some of the best
house, trance, and techno music that I had ever heard.
It was being spun by Toy Hernández of hip-hop group
Control Machete! That was a total surprise for
us! I can say that he is an excellent house DJ too. The
vibe kept getting better and Kinky finally came
out and played and showed why they are one of the favorite
bands among people in Monterrey.
4/28/00
In the Cuarto de Control like always, various bands
hang out and some members even work there. This day we
were able to spend some time with the new sensation, Genitallica,
who you will be hearing from soon enough. They already
have several popular songs especially one called "Paz
(Medicamento) - Pill (Medicine)." Later at night we
met up with Jumbo who had just done a special performance
at a popular radio station. Their album Restaurant
has been a big hit!
4/29/00
It's already Saturday and today will be a good day to
interview and share time with some bands. I will be doing
this like a journalist and not a friend, I suppose. The
meeting would take place like always at the studio where
several bands will arrive to talk about themselves, their
music, and whatever else is on their mind. Among them
arrived a group called Fábrica de Quimeras (Chimera
Factory), which is a dark/gothic electronica group that
has developed a good sound and are working on their first
album. There at the studios I would also be able to meet
other important people especially a group of artists that
will talk to me about a new, ambitious project that is
the brainchild of Antonio Hernández of Control
Machete.
SUPER
PROJECT - ARTILLERÍA PESADA (Heavy Artillery),
SONES DEL MEXSIDE (Sounds from the Mexside), and MORE!
In
the recording studio I got together with several members
of a new group called La Artillería Pesada (The
Heavy Artillery). At this gathering the following were
present:
Antonio
"Toy" Hernandez - Control Machete,
Sones del Mexside
Maigaz - La Flor del Lingo (Lingo Flower)
Piochaz - La Flor del Lingo (Lingo Flower)
Javu - Los Bastardozz (The Bastardzz)
Waldo - Los Bastardozz (The Bastardzz)
Milo Escalante - Sones del Mexside
We got together to talk about things we liked especially
hip-hop. We talked about the making of a new hip-hop record.
This would be done independently under the Sones del
Mexside label. They also commented on how they see music
and its exponents in Monterrey.
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Xavier:
What is Artillería Pesada? What do you exactly do?
Piochaz: It's a crew of MC's that does
hip-hop.
X: Will this project include some rock?
Piochaz: No, it's pure hip-hop. The thing
is that we can do both. Sometimes we like to do
hip-hop and other times we just like to do some
hard-core rock. We want to show what we have learned
from the hip-hop culture. We listen to it, we live
the culture, we saw when they killed 2Pac
and Biggie, etc. For example, [Maigaz] cried
when that happened. (Everyone laughs/)
X: Is Fermín (Control Machete) involved in this
project?
Piochaz: For now he is not involved because
he's working on other things. Right now we are totally
concentrated on this and also on free styling.
X: Is this project pure free styling?
Todos: Yes!
Javu: I'm an MC; I will record and then
sell my music. We already have the capability of
doing this. We are definitely concentrated on this.
Piochaz: We want to break the stereotype
that all Mexicans dress like gangsters, that they
like Kid Frost, etc. We grew up listening to hip-hop
but it also happened during an era when you would
hear stuff like Vanilla Ice, MC Hammer,
etc. So people didn't know much about true hip-hop.
Control Machete came along in '97 and a lot
of people would laugh. In '92 or '93, "rap has died,"
was a common phrase among people.
Javu: Yeah it was around '92 or '93.
Piochaz: Yeah, I remember! It was January
25 of '92 when Adrian Peña said that rap
had died. This dude says that New Kids on the
Block had died referring to them as a hip-hop
group along with Vanilla Ice.
X: Maigaz, how do you feel when reporters/journalists
say that Molotov, Plastilina Mosh, etc. is hip-hop,
is everything hip-hop?
Maigaz: That's a really stupid thing to
say. I don't know who the dumbass was who started
that notion but he's an idiot!
Piochaz: Those bands aren't hip-hop. They
incorporate hip-hop in their music and we like that,
but they are not hip-hop.
X: Besides Mexico and the United States, have you
heard other hip-hop groups?
Piochaz+Maigaz: Yeah, from Spain! Solo
Los Solo, CPV, Ari, 7 Notas
7 Colores…
Piochaz: When 7n7c came we wanted
to challenge them to a freestyle battle. We wanted
to freestyle with someone who wasn't from these
parts but they didn't want to. I think they chickened
out on us. (Everyone laughs.)
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X:
And how about Geronación?
Piochaz: Yeah, a lot of stuff from
Spain because Fermín brought back a lot of
records. From Chile we've heard groups like
Tiro de Gracia, Tapia Rabia Jackson,
Panteras Negras (Black Panthers), La
Pozze Latina. We have also heard Sindicato
del Hip-Hop de Argentina. We try to learn
from everyone. We all try to develop and we
don't dis anyone. Because whether something
is bad or good, you can learn from it. This
helps you when you're creating music. We try
to be current and are always looking for new
stuff.
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Maigaz
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X:
The Artillería Pesada project is only a crew from
Monterrey or are you going to invite other groups
to participate like Tiro de Gracia from Chile?
Piochaz+Maigaz: Well, actually, we want
to do something with Alex Lora from El
Tri, you know it has nothing to do with what
we are doing, but we need to also end the taboo
that you can't have rockers and rappers on the same
stage here in Mexico. Actually we would like to
do a hip-hop remake of their song "Triste Canción
(Sad Song)."
Javu: Chela Lora, his wife and manager,
said that there wouldn't be a problem.
X: You wouldn't invite American groups that
don't speak Spanish to participate?
Piochaz: Well CPV is in Brooklyn and has
made a song where there are appearances by Mos Def,
Jeru the Damaja, Guru, and more. That's cool because
that's a sign that we can do it too.
X: And how about doing an English/Spanish song,
let's say that they would come to Monterrey to do
something?
Piochaz: Well for this project we already
have Ralph M of Funkdoobiest coming
down to learn more about this.
X: You guys know him?
Piochaz: No we don't know him or the group
but for example there is contacts through Toño and
Fermín. Hip-hop is a worldwide phenomenon and that's
cool. It's a whole culture.
Maigaz: Just like rock, house, etc. Hip-hop
is universal.
X: Will this be the first album released under
Sones del Mexside?
Maigaz: Yes. After that will follow the
albums by Los Bastardozz (The Bastardzz),
Lingo Squad, etc.
X: What's Lingo Squad?
Maigaz: Piochaz and me.
Piochaz: Maigaz began to play with La
Flor del Lingo (Lingo Flower) and well he started
as a rapper. I came into the band later and also
learned a lot from him. I didn't know anything then,
now I know a lot more. I learned to create beats
for example. In Cuba, there are also some hip-hop
projects taking off. I didn't know that the island
had hip-hop. But there is everything because musically
they are rich. We are going to work with some Cuban
MC's and there's a strong possibility that Sen
Dog of Cypress Hill will participate.
There will be a chance to flow.
X: What do you think of the mix of hip-hop and
money? You know that thing of being a player, pimp,
etc
Piochaz: : I think that style is kind of sad.
I think it will return to its original roots, don't
you?
X: : You guys wouldn't make a video like that?
You know with some girls riding around in your Mercedes-Benz?
Maigaz: Ha, ha, ha…stop eating shit!
Piochaz: No, you're talking about showing
and throwing around dollar bills in Mexico, ha,
ha, ha…
Maigaz: Well having chicks yeah, but no
dollar bill throwing…
Piochaz: We are different. El Maigaz likes
chicks, Javu other things, Waldo other things. That's
how we are.
X: In Monterrey, are there a lot of hip-hop
groups?
Piochaz: Yeah, but they don't care about
making decent hip-hop just bad mouthing Control
Machete.
X: There aren't any Freestyle Wars?
Piochaz: I'm not an asshole, but many groups
here can't hang. They don't know how to freestyle.
They arrive to battle but with written lyrics. They
rather badmouth people who work hard. I have no
money but I work my ass off. We want unity.
X: So the album will talk about this aspect?
Toy: There has to be unity, that's why Sones
del Mexside exists. It's to unify and develop.
That's its purpose. Yes, so the album will have
those themes.
X: Well how about you guys do a little freestyle
battle?
Todos: ¡Órale!
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| Piochas |
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When
Toy arrived it was like the guys turned their attitude
up another notch. He put on some beats that him and Piochaz
had been working on. They were some fantastic rhythms
with a sound that reflected a heavy East Coast sound.
What happened next was one of those things that happens
once and doesn't happen again. I can say that I was able
to enjoy something special. For more than 20 minutes Maigaz,
Piochaz, and Javu battled with their mouth.
Displaying their freestyle skills, they let me know why
maybe no one wants to challenge them. It was a fierce
battle that had some phrases that only an MC could come
up with. It was spectacular to witness! The feeling and
the vibe in the studio contributed to this moment. The
lights were dim, the beats were strong, and of course
these MC's knew what they were doing.
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X:
After witnessing that battle, I can only say is
that you guys are dope! Wow, incredible! Toy is
this what Sones del Mexside is and will be?
Toy: Yes, what you just witnessed is exactly
what it is. We will build on this and of course
I have Milo's help.
X: So Sones del Mexside will be pure hip-hop?
Toy: That is something ambiguous. It can
be something for all types of music. We like to
do all types of music. We want to do everything!
There is a signature sound however. The idea is
maybe to have 4 distinct sub-labels. You know work
everything independently. Artillería Pesada
for example, can be the hip-hop sub label of Sones
del Mexside. As long as everything is tight
and unified. Music is that is well made can be mixed
and played together. The genre doesn't matter. It's
having the vision to work with someone for example,
like Roco (La Maldita Vecindad), with
someone…it's being able to have a certain work mentality
and being able to develop artists like the stuff
that Andrés Cantisani (singer/songwriter
from Monterrey). I like to work and learn. Andrés'
project I do it without any financial gain but to
learn. And he isn't hip-hop. You know doing black
music…
X: Your (CONTROL MACHETE) song "Danzón" was
inspired from Afro-Cuban music, right?
Toy: I think that was a special and specific
moment. The music video captured that. It was the
exact moment when we were inspired.
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X:
There isn't a possibility of playing live
with the Buena Vista Social Club?
Toy: We still haven't had the opportunity
of doing that. They are people that are down
to create music. They enjoy it.
X: With all your experiences, you have
matured…is that a reason for the creation
of Sones del Mexside?
Toy: We have all grown. We have all
worked and matured. It's a normal cycle. We
had the opportunity of opening doors for everyone
because of Control Machete. People
now know us. Piochaz now can create
some phat beats but that a few years ago he
wouldn't have been able to. Carlitos
(Arredondo) is now a recording engineer and
he learned that.
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Milo / Toy
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Now
we are also working on a project on having a concert
venue. For example, Juan Antonio Campos (of
Cuarto de Control) has traveled with us and
he learned a lot during '99. So we can say that there
are dudes that run clubs, bars, are in bands, etc.
There is a general development and growth going on.
It's a process that we all go through in our lives.
Control Machete was only a part of this. Others
already existed or once did. El Gran Silencio,
Plastilina Mosh, us…we all did something for
the scene here in Monterrey. There are people that
open up and share. Of course, there are others that
don't. We opened up our point of view.
X:
Is 2000 different for you guys?
Toy: It's really cool!
Milo: We came across a decisive moment.
This is the year where we will work our asses off.
We will begin to develop the entire infrastructure
that we attained during the last decade. You know
knowledge learned on trips, in concerts, etc. Everything
that was learned will be put to use so everyone
can get totally involved.
X: In order to invest?
Toy: Not only money, but heart and will.
X: Well I've been told that Carlitos is living
here in the studio?
Toy+Milo: Ha, Ha, Ha…yes, that's the truth.
He has a little bedroom here in the office. He doesn't
live here because we forced him to but because he
wanted to work here all the time.
X: So you guys are in the right age to be doing
this?
Milo: Yes, we all still have energy left.
We all vary in age however. There can be a difference
of up to 10 to 15 years but everyone is on the level.
Toy: Exactly!
Milo: There is experience combined with
youth. For example, we (Toy and Milo) are in the
middle.
X: Do you search for new talent?
Toy: Of course! Not to develop superstars
necessarily, but to find people who will be of use
in all aspects. One who can design, one who is good
at promoting, one who is a good DJ, etc. We like
to give references. If someone needs help and we
know someone who could fill the role we don't hesitate
to refer him or her. We adopt and live in a culture,
but we don't stay in it. I love to do all types
of things. For example, things aren't the same here
like they are in New York. Maybe you have a certain
style of rapping, being a DJ, etc.
X: So your dreams and hopes are more alive than
ever?
Toy: Yeah and to attain those goals one
has to work hard.
X: How about development in the United States?
Milo: I think it will breakthrough by itself.
There are so many connections and people are always
looking for new ideas. It will enter by itself.
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Toy:
There will be some penetration. For example,
I had the opportunity of remixing a track
by Eminem and it was played on the
Wake-Up Show, wow! Stuff like that,
I guess, that's what it's about. But there
is a lot to be done here still. My maximum
desire is not to be a big hit in the United
States yet like others want to. I still have
to develop things here. There are a lot of
people here with whom to work with. It will
happen by itself over there. It's like when
you got Control Machete for the first
time and now you've hung out with us several
times. You see it can reach people through
a cousin, a relative, friend and it happens.
I talk to a lot of people in Colombia and
Argentina among other places. I talk to the
people from Rap2000 in Argentina and
the people in Chile who do La Saga Hip-Hop.
Now we can hook up and even make a hip-hop
show for Latin America.
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"Toy" Hernandez - Control Machete |
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X:
So the vibe and feeling is already present to do hip-hop
and other things?
Toy: Yes, you can clearly see it. You see how
Kinky or Zurdok or Cabrito Vudú
come here in hang. You know who we are and how we
hang. Now I want people to know what you know as well.
X: Guys well thank you a lot for giving me this
opportunity of sharing these thoughts and this time
with you.
Todos:
No. Thank you …
Toy: Well get your butt moving and go hook
up with Zurdok!
To
Be Continued...
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